how I loved the loved likeness for his leaning over against
the body where he leaves me behind toward o yes says
the yes-space’d leaving un espace sur le contre
that no willing day or night will wash back together toward
just forth simply say here over and again how I have been lated
after your body to see the parting the standing streaming circle body
acting its way to and fro without touching to be leavened
to be a-way before the likeness the overflowing takes you over and
over the running likeness in your memory o how the water grieves
To be over you past you I must Become you against you to move on with adieu in the throat I must begin the way you easy the ways I allow a lapse into lapsing unto ease I lapse upon you after Stein after speech the wound opens easy yes that of you gives I must myself begin the sorrowmouth O only from memory the sorrow at home for that the tongue opens fleurs for the french kiss where it hurts here so you carry your mouth real sorrows o Munch holds in his mouth he does not give somewhere another mouth else yearns
HALF OF LOVE IS GONE
here half mine
half of Love going-to
chaque matin equally blanc
half of Love is l’age d’or halved
behalved, love as gold (à Midas having
the halved-love touched rests turmoil
still seeing seule moins de terre
half of Love is the gold I make / missing
in me I can only make in my words-elsewhere is
mon cher très loin far for
he is so full of worlds to go
home is you on my mind
half my love is gone
love has gone j pense à toi vivace
vide vague sur ton absence je me console
half my love is mine
(via invisiblestories)
Aristotle: Table of Virtues and Vices
THE RELATION W/ THE OTHER OVERFLOWS COMPREHENSION.
THE RELATION W/ THE OTHER OVERFLOWS COMPREHENSION.
I. I CAN COMPREHEND YOU IN MANY WAYS: FRIEND/ENEMY/PATIENT
II. ‘PRIOR’ TO KNOWING YOU, I AC-KNOWLEDGE YOU
III. I RE-COGNISE YOU AS SUCH ‘BEFORE’ COGNISING YOU AS I MAY
IV. I APPREHEND YOUR PRESENCE IN ORDER THEN TO COMPREHEND YOUR PRESENCE AS MENACING, FRUSTRATING, LOVELY.
I can comprehend you in manyaways, I already feel One with one, sans you, breathing. the Feeling-I senses all along prior-tu. Knowing you, I acknowledge. You, breathing a sand of sound, the writhing-You within me. With or Without you, I re-cognise you as such despite You, (with whom?); of spite, before cognising you as I may. What have I loved upon mornings with rien rising in your wake? Of Love the object-I apprehends your presence in order then for overmore. You, with whom I am lost. You with whom I am taught: to comprehend your presence as You with whom I am become… menacing, frustrating, Lovely.
